
cattle unloaded at night
raised panic dust in the glaring pens
while we stamped their brindle black or piebald
heaving backs with paint brands
these were the slaughterers' marks
before the morning bolt in the brain
and processes that seen a million times
assume the austerity of still life painting
there remains a sort of men
who have to stand about
shouting above the noise of equipment
in voices that carry clearly through the dark
stencilled as products while still on the hoof
and persisting somewhere now
as boots or schoolbags
the cattle mill in memory
poet of high water
on the tauranga
after urewera rain
when shingle swirling
in the current cut the legs
out from under a river crossing
and of his arid
rabbit-bared home
territory in the south
poems you had to have lived
or taken a lifetime
to understand
where the pain of our
being and its radiance
embattle a man
yellow-skinned on a cancer bed
and leave us his voice
acute with light