Drawing by Judith Wolfe

Irma Gold

THE STOLEN CHILD



    Mumbir was only nine when they ripped her from her mother's skirts and threw her onto a train that belched smoke and spasmodically screamed. She was scared – a little dark girl in a battered dress stuffed into a box of pink people.
    "Where's my mahmi," she asked over and over until it danced like a refrain inside her head. The man escorting her had a hard face – all angles and ice.
    "She'll be there at the nice place we're taking you to," he would say and then quickly turn aside. She felt invisible. Shrivelled and small.

    Bill Foster was digging trenches to create an irrigation system for a small wheat field he was planning. He paused and straightened up, grimacing at the sharp pain stabbing at his lower back. It had been giving him problems for months now. Jean worried, but he couldn't afford to see a doctor, and besides it would mean a long drive into town and the loss of a day's work. He just had to get on with it. Still, help should be arriving any day now, and that would ease things up a bit.

    He'd been at it all morning and the sun was starting to bite the soft skin on the back of his neck. Time to take a break. He stretched his back a little and headed for the house. Jean always saw him coming down the straight dirt road, little gusts of dust fluttering around his heels, and by the time he reached the porch she would have a brew ready. As he escaped the sun's anger she was just splashing water into one of their battered mugs. She glanced sideways at him as he carefully eased himself into a chair.
    "You alright," she asked.
    "Yeh, fine, fine."
    "I wish you'd see the doctor, Bill. There might be something he can do."
    "Lovey, I'm fine, really. Anyway when the girl comes things'll be easier – she can help you around the house and work with me in the fields."
    Jean smiled weakly. She hoped they got a strong one.

    The evening was softening into night when Mumbir arrived at the farm. Her escort seemed eager to escape before darkness disguised the way, and so he hurriedly introduced her to a year of utter loneliness and longing.

    "The Fosters will look after you," he said, "You'll be paid well, and a trust fund will be set up for you."
    Mumbir stood quietly, her hands clasped in front of her. All the questions crowding inside her lay trapped inside her mouth.
    "Just work hard and you'll be rewarded," he told her.
    With a nod and a 'good evening' to Mrs Foster he quickly retreated, leaving Mumbir wrapped in unfamiliarity. The cicadas song was still throbbing, and its pulse felt more real to her than the dim shapes of the place that was to be her home.
    Jean stood facing Mumbir, pockmarks and discomfort painted all over her face. She awkwardly handed Mumbir an apron, and showed her to a room the size of a doormat with a grey camp blanket in a corner on the floor. That night Mumbir cried, wishing her mahmi was there to stroke her hair and sing to her (milaw langgu gumbah gali yilayagah...). The white walls seemed to squeeze in around her, and press against her body until she felt quite dizzy.
    Eventually she slipped into nausea-washed dreams of her own country – of swimming in the water holes with Yambah and Bunbun, of watching the women hunt for file snakes, and helping carry them home, dangling over her shoulders and swaying with her walk. But most of all she dreamt of her mahmi. She dreamt of her gentle hands and her laugh that gathered you up in its folds. Of her soft eyes and the warmth of her lap where the beating of her heart would lull you to sleep (diwahgandu maleh maleh yumonigah...). In her dreams her mahmi came to her. Picked her up and carried her on her back, laughing and singing as they crossed the open plains that stretched towards home. She woke with the taste of dread sticky on the back of her tongue. A taste she got used to.
    The days were filled with orders and scrubbing, washing, cooking, digging and planting. Mr Foster's back was bad, but she felt the weight of his tasks straining against her heart. Each day he did less work – sometimes he just sat under a tree watching her with a critical eye and tossing filthy words in her direction. She was too slow, too stupid, too careless. Mumbir bore it all, and waited for night when her mahmi would tell her she was beautiful and good. (Holding on, holding on…)

    This morning Jean had risen before dawn, feeling refreshed. This was the best time of the day – when the air was still clear and cold. Some days she felt as if the heat was smothering her in its bosom, but these mornings kept her alive. They were the only moments she could steal to please herself and dream that she was not callused-hands-and-workboots Jean, but that she was Jean the artist, who spent her days by the River Seine creating paintings that would be hung in the Lourve where people would crowd around and coo over her radiant talent. Dreaming, she began covering a fresh sheet of paper with her precious paint. She longed for a large white canvas on which to paint a masterpiece, but she was fortunate that Bill had even allowed her the paints. They were so expensive – a luxury they could ill afford. She dreamt of slashing thick arcs of colour without considering the expense, of letting the paint take her where it willed. Instead she watered it down and used every scrap on her palette.

    She knew Bill secretly scoffed at her artistic delusions. Once she'd come in from feeding the chickens to find him studying that morning's painting, accidentally left on the counter. She'd painted their weather-beaten wooden house in yellows and blues, with lush vegetation that curled up to kiss the roof. She'd seen that horrid smile on his face mocking her the way he sometimes did, telling her she was nothing really. Don't kid yourself, lovey. You're a farmer's wife. Your hands were made for labour. But this morning she stuffed that knowledge into a dormant part of her brain. She was painting their little boy playing outside, with the face of an angel. But somehow she couldn't get the eyes right and her constant fiddling was just making a mess out of them.
    The sky was turning to velvet and she could hear Bill shuffling around in their room. Now her painting was just going to have to wait. She put it carefully away with the others in the bottom of the dresser and went to make sure Mumbir was awake. As she strode into the room she saw that Mumbir was standing by the window. She felt a little irritated. If she was already up and dressed she could be working, instead of daydreaming amongst the clouds all morning.
    "Come on Mumbir," she said roughly.
    As Mumbir turned and came towards her Jean was shocked to see tears snaking down Mumbir's cheeks. For a moment it was as if her limbs had forgotten how to move, but almost instantly the spell snapped and she tentatively reached out and placed a hand on the girls shoulder. Mumbir looked dead into her eyes in a way that made Jean quiver.
    "Don't you touch me," she said without moving her lips or pushing Jean's arm aside.
    Jean suddenly felt angry. Bile welled up in her stomach as she gritted her teeth down hard. How dare this girl disrespect her, this nobody that she was providing for. And before she had registered her next thought Jean swung her arm up sharply and watched as the mottled outline of her hand tattooed itself across Mumbir's face.
    Mumbir stood still. Her dark eyes hard, despite the liquid filling them. And Jean raced so fast from the room that she almost fell over her own feet. Collapsing into a kitchen chair she sat trembling, and feeling the sound of her heart pounding inside her head.
    After that they never spoke Mumbir's name. They never called her anything at all except when they were angry and then it was little black devil or boong.
    "You stupid boong," they would shout. "You worthless, stupid boong."
    "Yes ma'am," she would reply, clenching her heart inside her and waiting for the slaps to fly at her head.
    So she started whispering her name to herself at night. Not the name the colourless women had given her back home, not Bessie, but her real name, Mumbir, the one that reminded her of who she was. (Holding on, holding on...)

    The days blurred and merged into each other and became months. It was only fleeting moments shared with the Foster's little boy that kept her heart alive. He was four and had a halo of blonde hair that felt like the soft down on a rosella's underside. Occasionally when Mrs Foster wasn't looking Mumbir would smile at him and he would giggle coyly in response. But if Mr Foster was around she would keep her eyes down. Waiting for the curses and the accusations, waiting for a black eye, a split lip, the taking of her blood. She told herself that soon, one day, her mahmi would come and take her away. She told herself that her mahmi still loved her. She told herself these things repeatedly and waited in silence.

    It was the day when the pea flowers started blooming that Mumbir would never forget. She was busying herself outside on the balcony, waiting until the Fosters had finished their meal before she was allowed to eat, usually the left overs. She was sweeping the wooden floors when the house erupted in an angry cacophony of voices that spat the little boy out of the door. His face was coated in tears. She knew this feeling well, and sat down on the floor beside him.

    "What's the matter?" she asked.
    He sobbed a little and came over to crawl onto her lap. She held him close, like her mahmi had held her, rocking, rocking and softly singing their lullaby.

      milaw langgu gumbah gali yilayugah
      milaw langgu gumbah gali yilayugah
      milaw langgu gumbah gali yilayugah
      diwahgandu maleh maleh ywnonigah
      diwahgandu maleh maleh ywnonigah
      diwahgandu maleh maleh ywnonigah

    The little boy's sniveling quietened as he clasped his two dimpled arms firmly around he waist. Rocking, rocking, Singing, singing.

    But Mr Foster suddenly crashed through the door, ricocheting the flyscreen against wall, and wrenching the boy from her arms.
    "You filthy animal," Mr Foster screamed.
    (Little boy – crying, crying).
    "Don't you ever, EVER touch my child again."
    Then his fist came down and his words ended in five days crumpled on her bedroom floor. Body broken, spirit dying.
    She'd worked hard, so hard, just as she'd been told to on that first day when her childhood had been stripped away. Yet she'd never been rewarded. They hadn't paid her her promised weekly sixpence, and they never gave her a kind word or a sweet look.
    She found rat poison in the cupboard one day as she was cleaning. She'd seen how it had worked on the rats, leaving them lying belly up, their pink skins stretched over poison-coated stomachs. She took the bottle and hid it under the blankets in her room. Then waited until the night had elicited soft sleeping sounds from the Fosters.
    She did it quickly, closing her eyes and gulping the filthy liquid down. She sat down on the cold, hard floor feeling it racing through her body, and waiting for it to take her away.

    She didn't die, but she was beaten for wanting to. The next time she knew better. She took his razor blades and hid inside the chicken coop where no-one would find her for hours Then she slowly drew brilliant ribbons from her arms that wove and splashed onto the straw. The chickens clucked and scratched for food, unmindful, whilst she watched her being escaping her body, until its image became cloudy.

    "Darling Mumbir," her mother called from the sky, as she floated closer, her arm outstretched, her face soft and smiling.
    "I'm here," she said, "I'm here."
    "Everything's okay now. Sleep muyumgan, sleep."

      milaw langgu gumbah gali yilayugah
      milaw langgu gumbah gali yilayugah
      milaw langgu gumbah gali yilayugah
      diwahgandu maleh maleh ywnonigah
      diwahgandu maleh maleh ywnonigah
      diwahgandu maleh maleh ywnonigah

NB: Lullaby from Gummow, M (1993) Aboriginal Songs from the Bundjalung and Gidabal areas of the South-Eastern Australia, University of Sydney, Sydney.


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